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Archive for the 'social studies' Category

I'd have my students reverse engineer banknotes and license plates:

I'd rip 'em from Banknotes or Plateshack or wherever. And then I'd get comfortable with Photoshop's clone stamp, removing identifying details by any means necessary.

And then I'd serve them up plain …

… and ask the students to:

  1. determine the elements that comprised the banknote or license plate (and, in the case, of banknotes, there are usually a lot of elements — historical figures, state birds, even the color scheme matters)
  2. speculate on what country/state the banknote/plate belongs to.
  3. explain each element in the context of its country/state.

I'm just armchair quarterbacking here, though.

You are unexpectedly transported to England in the year 1000 AD with what you are wearing, what you know, and nothing else. What challenges do you face? Specifically, how do you survive?

Such a fine summative question there, visceral, compelling, offering a gradient of responses all the way from "I wouldn't." to some of the comments at Marginal Revolution, demonstrating extraordinary command of local geography, sociology, and economy.

You've got people arguing for trebuchets, crop rotation, and bookkeeping while others argue that trebuchets, crop rotation, and the printing press are all ideas that'll get you incinerated for sorcery.

And after dozens of serious vectors on the question, this gem:

Only what you are wearing and what you know? Well, I'm wearing a fully-comped Springfield DA in a shoulder rig, counterbalanced with three extra mags. I've got a Spyderco Police Model in the back pocket of my jeans, a pretty extensive magpie board in my wallet, and I know how to make grain explode. So, me, I'm headed straight for my new castle, comprende?

Comprende.

One Direction

The Kingdom's opening credits are just oh-man jaw-droppingly forehead-smackingly good.1

We're talking a four-minute blend of motion graphics and archival footage so fine it's tough to tell where one ends and the other begins. The mad geniuses at PIC Agency tossed 'em both in a blender, hit purée, and the result is an even-handed, sober narration of Saudi Arabia's entire existence.

As a kid born after the embargo, I never understood until now just how their interests and ours have competed on their soil and, as of 9/11/01, on ours like some fatal game of football. "A violent collision of tradition and modernity," as the narration puts it.

And they're online. And in high-def. If you teach history, I'd sock this one away for the appropriate unit.

Another Direction

So clearly the visuals here supplement the narration in a sum-greater-than-the-parts kinda way. This wouldn't have been nearly the accomplishment with just visuals or just text.

But I think the success of this piece and others like it leads some teachers to the wrong conclusion, that multimedia is the magic element here. The mistake is to assume that using video clips or pictures or sound or some combination thereof or even some student buffet selection thereof is gonna improve learning.

It is, as with every media, a matter of editing. What you leave out matters more than what you leave in.

What no one teaches teachers to do, what teachers only teach themselves if they're of the mind, is how to edit their material into stories, how to set-up antagonists and position their students as protagonists, how to modulate their voices, letting them bend a little with the direction of the stories, how to use volume like a scalpel, letting it drop a little before a conclusion and pick up as they move along, how to generate kinesthetic energy by moving around the classroom when the lesson's pace slackens, when to signal that something big is coming up and when to let it kinda drop on them and settle on different students at different times.

Or how to do that in multimedia, surround sound stereo.

More than the media matters is the quality of the media. The edubloc is taking up the cause of multimedia but how many bloggers realize that their responsibility doesn't end with putting a camera in a kid's hands or a microphone in front of her face.

How many of them realize that there's a right way to teach this stuff, or that their multimedia fixation is making video / audio / photo production teachers out of them all?


  1. The movie itself is a racist little turd, however.